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SAM FRANCIS "DEEP BLUE" LITHOGRAPH, 1972 fairy This work is a paradigm

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SAM FRANCIS "DEEP BLUE" LITHOGRAPH, 1972 fairy This work is a paradigm This work is a paradigm of Astman's practice from the late 70s where she created Polaroid grids of her contemporaries and added text to the margins Untitled (from the Peace Portfolio I) In 1953 one of his canvases was included in the MoMA's seminal exhibition "Twelve Artists" which quickly led to his international reputation he is somewhat independent of the collectives and "isms" normally used to describe post war abstraction

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